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The Television Plunge: The Winning Structure of Breaking Bad

At a Glance

  • Learn how Vince Gilligan shaped his Breaking Bad pilot script using Foundation Principles and Fundamental Necessities of the Form
  • Acquire Effective Strategies for Constructing the World of Your Show
  • Develop Strategy for Constructing Your Own Solid Series Pitch

 ABOUT THE WEBINAR

ELEVATED ELEMENTS ARE KEYS TO A GREAT TV PILOT SCRIPT. BY CAREFULLY STUDYING THE BREAKING BAD PILOT SCRIPT, YOU WILL EXPAND YOUR BASE KNOWLEDGE OF TV WRITING EXPONENTIALLY.

Understanding the One Hour Dramatic form is important for screenwriters today. Managers, Agents, Producers are hiring screenwriters after reading their 30 or 60 page spec pilot scripts.

Through the essential DNA embedded in its pilot script, Breaking Bad became one of the greatest TV series of all time and never wavered from its initial vision. By closely studying the structure, characters, plot details, emotional flavors of Vince Gilligan’s pilot, writers will expand their skill sets for creating their own spec pilot scripts.

The ground has shifted under all screenwriters in the last 5-10 years. Television has gotten much better. As screen size in the home increases, the price of those home theaters seems to shrink. Meanwhile, opportunities for screenwriters are expanding in response. An original half-hour or one-hour pilot script (or a half-hour script) can be a great calling card for a screenwriter to open many doors in TV and in features. Those 30 or 60 pages have to be potentially great television – a well-structured script with strong characters and a compelling story that could unfold over many episodes.

There is an art and craft to it all –a learnable craft. Studying the best work in television carefully is a fantastic way to learn to write TV dynamically and successfully.

WHAT YOU’LL LEARN:

  • Creation-Construction of the World of Your Show
  • Building Out a Solid Family of Characters for Your Series Concept
  • Structuring the Episode Stories in Your Pilot Script

WHO SHOULD LISTEN?

  • Beginning to Advanced Screenwriters Seeking to Build Out TV Craft Skills
  • Writers from Other Disciplines Seeking to Expand Into TV
  • Fans of TV Who Want to Understand the Medium Better
  • Actors, Directors, Filmmakers Who Want to Understand the TV Realm in Greater Depth

Product Details

  • Date available: 11/15/2013
  • Publication date: 11/15/2013
  • Return policy: This item is not eligible for return.

Return Policy

Your satisfaction is our top priority. If you are not satisfied with your purchase, please return the item(s) for an exchange or refund within 30 days from the purchase date, unless otherwise noted on the product page.

Ship the item(s) to The Writers Store via a traceable and insured method. You will be responsible for return shipping fees.

Please include a completed Return Form with your shipment. Refunds take up to one week to process once we have received the item(s).

Software returns must be deactivated and uninstalled from your computer before a refund may be issued. Please contact the software manufacturer if you need assistance uninstalling or deactivating your software.

The following items are not returnable: Hollywood Creative Directories, DVDs (opened), and Gift Certificates.

Meet the Author: Tom Benedek

Tom Benedek wrote the screenplay for Cocoon, The Adventures of Pinocchio, and other films. In addition to teaching the craft of screenwriting, Tom has interviewed dozens of agents, managers, production execs, working screenwriters for his Network Hollywood class at ScreenWritingMasterClass.com. He has written screenplays for Robert Zemeckis, Lawerence Kasdan, Lili Fini Zanuck and Richard Zanuck, David Brown, Ron Howard, Martin Scorsese, Sydney Pollack, Richard Rush, Harold Ramis, Lauren Schuler Donner and Richard Donner, Ray Stark, and many more.

He is a member of the Writers’ Guild of America, West and the Writers’ Branch of the Academy of Moti...

$79.99