Advice — gatekeeper q & a

Quirky or Plain Crazy - Where Do I Draw the Line for My Character?

Posted by Howard Gluss on

Lynn, a Writer/Producer from Palm Springs, CA Asks: In your book REEL PEOPLE you talk a lot about characters that seem to be quite disturbed. Can the theories of personality types apply to characters that are just quirky or eccentric rather than mentally ill? And are there specific personality types that are just plain funny? Dr. Howard Gluss Responds: Yes, Lynn, it is very valuable to note that the human psyche has many facets and a writer may not always be creating psychopathological characters. Not every movie has a knife-wielding mass murderer or egomaniac tyrant. As with most things in...

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Capturing the Reel Racist - A Debate

Posted by Howard Gluss on

A Reader Asks: I have read your book REEL PEOPLE on developing psychologically sound characters. I am working on a character who has to transition from being somewhat of a racist into being a full-blown racist with murderous intentions. Can you give me any insight into what personality type would act this way and what may cause this violent outburst? Can you recommend any films that I can look at? Joshua, New York City Writer/Director/Producer Dr. Howard Gluss Responds: A film that I have seen recently that you should study that depicts bigotry and specifically Anti-Semitism in a fascinating manner...

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I Want My Rights Back!

Posted by Larry Zerner ESQ on

A Reader Asks: I sold a five-year option to my screenplay three years ago, and it appears that we're going nowhere with the company that bought it. I recently "pitched" my story to a well-heeled friend in the film business, and he showed interest, which waned immediately when he heard about the option. Is there a cool way of having the first buyer releasing his rights without having to pay back any of the (very small) option price? Larry Zerner Esq. Responds: My question for you is, "What were you thinking when you gave someone a five-year option." This is...

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Taking the Leap to Playwriting

Posted by Jonathan Dorf on

Our Reader Asks: I'm currently doing research for a creative nonfiction book but the more I delve into the subject and characters, the more I feel it should be written as a stage play rather than a book. It has a fascinating story, a strong female central figure taken right out of a piece of U.S. history, takes place at a time when music was a big part of the culture (which would, then, hint at possibly a musical), and has strong emotional contrasts. My gut feeling is that it would make a great play, which is very frightening to...

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Do I Need to Obtain Rights to Portray the Ex?

Posted by Larry Zerner ESQ on

A Reader Asks: I have the rights to do a screenplay on the life of a person, but how do you handle the rights to include other people in life, like an ex-wife and others who may be important to the story. Do you need get their rights also? Larry Zerner, Esq. Responds: This is a great question and one that comes up fairly often. Ideally, when you are writing a screenplay about a real person who is not a public figure, you want to obtain rights from as many of the people who will be portrayed in the screenplay...

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