Articles by Steve Kaire
In my twenty years plus as a screenwriter, I've heard thousands of pitches at pitch festivals, my seminars and in my writing classes.
I'd say that 90% of the screenplays, treatments and ideas I've had pitched to me had a weak premise and probably won't sell. And a weak premise, even well executed, is still weak at its core. On the other hand, a strong, uniq... (read more)
High Concept is a term that's been confused, misunderstood and misused by writers for decades. The common b... (read more)