855-840-5124    
Money Back Guarantee

Return Policy

Your satisfaction is our top priority. If you are not satisfied with your purchase, please return the item(s) for an exchange or refund within 30 days from the purchase date, unless otherwise noted on the product page.

Ship the item(s) to The Writers Store via a traceable and insured method. You will be responsible for return shipping fees.

Please include a completed Return Form with your shipment. Refunds take up to one week to process once we have received the item(s).

Software returns must be deactivated and uninstalled from your computer before a refund may be issued. Please contact the software manufacturer if you need assistance uninstalling or deactivating your software.

The following items are not returnable: Hollywood Creative Directories, DVDs (opened), and Gift Certificates.


Your Satisfaction is Our Goal

Guy Magar

Guy Magar was nine years old when he left Egypt in 1958. His family immigrated to the U.S., where he grew up in Middletown, NY. Graduating from Rutgers University with a B.A. in philosophy, Guy began his film career at the London Film School.

Guy has over 100 film credits, including La Femme Nikita, The A-Team, Blue Thunder, The Young Riders, Hunter, and the daytime drama Capitol. He was nominated in 1995 for a Golden Reel award for his TV work on the series Nowhere Man.

Guy's film work includes 'Lookin' Italian' starring Matt LeBlanc and Lou Rawls (in their first feature film); Stepfather 3, and the cult thriller Retribution (look for it on DVD this year!). His most recent feature directing credit is Children of the Corn: Revelation, based on Stephen King's original story for Dimension Films.

Guy is the founder of the Action/Cut Filmmaking Seminars which provides 'page to screen' industry workshops. He's taught thousands of filmmakers at over 100 weekend seminars in the USA and internationally. He's also the founder of the Action/Cut Short Film Competition, which MovieMaker magazine called one of the 'Top 10 Shorts Festivals in the World for Filmmakers!'

Articles by Guy Magar

The Mystery Defined

Mystery and detective fiction comprises a literature of questions. Who done it, of course, is the classic question. There's also what was done*? How was it done? Why was it done? An even more fundamental question, though, is this: what is a mystery?

Like many seemingly simple questions, this one is remarkably difficult to answer. Every mystery reader would probably answer it differently... (read more)

A Screenwriter's Challenge: Visualization

'Heck, we'll just write them, and let the directors worry about visualization!'

More often than not, and consciously or not, this seems to be the mindset of most writers based on the many hundreds of screenplays that have crossed my desk at all levels of proficiency. Sorry folks, it's called 'motion pictures.' This does not just mean writing movement, or pacing or ac... (read more)