Advice — syd field

On What's a Screenplay

Posted by Syd Field on

What is a Screenplay? Most people ask me the same thing about the craft of screenwriting: What's the most common problem I find with people writing scripts? I tell them that most of the problems I encounter deal with 'telling their story in dialogue,' not pictures. A screenplay is a story told with pictures, in dialogue and description, and placed within the context of dramatic structure. On Exposition The most evident change in screenwriting within the last 10 years is this: There is no explanation needed. As a writer, you do not have to explain to the audience the thoughts,...

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The Matrix - An Appreciation

Posted by Syd Field on

I loved The Matrix -- loved the action, loved the situation and characters, but most of all, I loved the idea behind the film. It was Samuel Taylor Coleridge, the 19th century poet and literary critic, who coined the concept known as 'the willing suspension of disbelief.' What he says is basically this: when we, the viewer, reader or audience, approach a work of art, we must leave our own personal beliefs, our own personal perception of reality, behind so we can approach the work on its own merits, on its own level. In other words, we must 'willingly suspend...

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Q&A With Syd Field

Posted by Syd Field on

How much thought do you think writers should invest in terms of tracking the broad strokes of the protagonist’s emotional journey when structuring the story?I think all screenwriters should know the emotional journey from beginning to end. If you have the character’s arc clearly in mind, you can then begin to build your story and character utilizing the emotional journey as one of the major leads into the physical journey. Action and character, those are the two things to follow during the unfolding of the script. Take a look at Avatar or The King’s Speech – it’s an emotional journey...

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The Use of Flashbacks in Movies

Posted by Syd Field on

At this moment in time, I think we're in the middle of a screenwriting revolution, a time where screenwriters are pushing the form and craft in new directions. I firmly believe that the traditional way of "seeing things" has changed, and we're looking for new ways to match our experiences and incorporate the new technology into our stories.In terms of the contemporary screenplay, it seems like we want to get closer to the subjective reality of our characters. Take a look at Atonement, The Lookout, Babel, The Bourne Supremacy, Kill Bill I & II, Eternal Sunshine of the Spotless Mind,...

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