Advice — advice

Veteran actress K Callan has authored several great reference books for actors, directors and others who need a foot (or a good agent) to open the door to the biz. Here, she recaps her advice for screenwriters answering some of the most immediate questions that writers have. ~~~ Will you read my script? I could read your script, but I'm not someone who can 'pass you along,' that's not what I do. I've recommended two fine young writers to my agent, and they have still not been read. One of them even had had his film produced and had a...

Hollywood is interested in one thing: a script with blockbuster potential. Why? Because the revenue from films is now global. The typical hit film makes more money from foreign revenue than it does from the U.S. Couple that with the exorbitant cost of making and selling a film and you've got an entertainment community that won't even look at a script unless it has blockbuster written all over it. That's a big problem for most screenwriters. Most writers, if they have any training at all, never learn the techniques for writing hit films. In fact they don't even know such...

Don't be fooled by the notion that no one knows anything. Buyers may not know if a particular script will make over $100 million, but they have a pretty good idea of certain major story characteristics found in most blockbuster scripts. The top professional screenwriters -- the ones who get all the jobs -- know what they are, too. While the vast majority of screenwriters are off pounding out their simple three-act scripts, top screenwriters are using fundamentally different techniques. Three-act structure is designed to give you the same script everyone else is writing. Plus it tells you nothing about...

Secrets of Blockbuster Movies Part IV Writing for Hollywood requires more than a good premise and strong storytelling ability. You also have to write what Hollywood wants to sell. In today's entertainment business, that means a script with blockbuster capability. If the buyers don't think your script will appeal to a massive worldwide audience, they won't buy it. What may surprise you is that the elements that buyers think will appeal worldwide are found in the deep structure of a script. DESIRE LINE One element essential to good storytelling is a strong desire line. The main character wants something very...

You've slaved over every syllable to make it memorable. Your manuscript spills over with high ideas, scathing wit and a dash of drama that would send even the coldest executive producer groping for a box of Kleenex. Yet, for the life of you, you can't get anyone in the business to read it, let alone give you a call. What gives? Let's face it. You're not just competing with the other good scripts and first novels. You're competing with piles and piles... and piles... of bad ones. Aside from step one -- producing the most imaginative, tightest manuscript you can...