Melanie Ann Phillips
Products by Melanie Ann Phillips
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Master Story Teller Add On for StoryWeaver
by Melanie Ann Phillips
$9.95
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Master Storyteller
by Melanie Ann Phillips
$24.95+
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Dramatica: A New Theory of Story
by Chris Huntley, Melanie Ann Phillips
$19.95
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StoryWeaver 3.0
by Melanie Ann Phillips
$29.95
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Articles by Melanie Ann Phillips
Be a Story Weaver - NOT a Story Mechanic
Too many writers fall into the trap of making Structure their Story God. There's no denying that structure is important, but paying too much attention to structure can destroy your story.
We have all seen movies and read novels that feel like "paint by numbers" creations. Sure, they hit all the marks and cover all the expected relationships, but they seem stilted, unin... (read more)
Hero is a Four-Letter Word: Unmasking the Hero
Part One
Introduction
Perhaps the best-known character type is the Hero. But if you ask a thousand different writers to define a Hero, you'll get a thousand different answers. That's because the term has been used so indiscriminately it has become a catch-all to describe the central character around which a story rev... (read more)
Hero is a Four-Letter Word: The Villain
Reader response has been overwhelming on this article series - impatiently awaiting our second installment. We're glad to present today:
Part Two
Equally well known as the Hero is the Villain. And just as the Hero is actually made up of several distinct qualities, so is the Villain. In fact, for every quality the Hero possesses, the Villain embodie... (read more)
Hero is a Four-Letter Word
Part Three: Hero and Villian Mix It Up
We've seen how both Hero and Villain are actually composed of several different qualities. And, we've seen that for every quality the Hero possesses, the Villain has a counterpart. When these qualities are combined in this classic manner, Hero and Villain become stereotypes. When these traits are expressed to the extreme, they b... (read more)
Story Weaving - Story Structure for Passionate Writers
We all know that a story needs a sound structure. But no one reads a book or goes to a movie to enjoy a good structure. And no author writes because he or she is driven to create a great structure. Rather, audiences and authors come to opposite sides of a story because of their passions - the author driven to express his or hers, and the audience hoping to ignit... (read more)
StoryWeaving - Avoiding the Genre Trap
A common misconception sees genre as a fixed list of dramatic requirements or a rigid structural template from which there can be no deviation. Writers laboring under these restrictions often find themselves boxed-in creatively. They become snared in the Genre Trap, cranking out stories that are indistinguishable from a whole crop of their contemporaries
In fact, genre s... (read more)
Coming Apart at the Themes
Even when a story has memorable characters, a riveting plot and a fully developed genre, it may still be coming apart at the themes.
Theme is perhaps the most powerful, yet least understood element of story structure. It is powerful because theme is an emotional argument: It speaks directly to the heart of the reader or audience. It is least understood because of its intangible na... (read more)




